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Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we no longer have a shut down system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.


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Kent du Pre has Origami Owl Charms done such work on Symmetric figures such as stars from which flowers can be folded. Irregular figures have appeared occasionally, nevertheless the most extreme form occur in Paper Miracle with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course strongly related to paper slicing. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive thickness. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.

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Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to offer enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and Le Bateau De Papier Paroles the other to avoid the complexities of a model achieved only by folding.


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Inside a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modelling particularly when foil has been used and one can make sure of the substance remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modeling following the folding The thought of wetting the paper is apparently Japanese in origin was demonstrated Origami Flower Box by Yoshizawa at a Convention in Luton. Another method of damp moulding using paste in the preparation is talked about by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and we are approaching sculpture rather than Origami.


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Typically the associated arts are Weaving cloth and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end to show Avion En Papier Facile the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of document each folded to represent some part of the creature and then brought together. The theory may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have came out for folding a dragon from a amount of squares of different sizes.


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Inside the most extreme combos of water and papers we are, naturally , in the world of fun which is plainly an open-ended art. DecoratingThe most basic step from your single color is one side female and one white or plain. A great package of modern Origami intrusions this colour difference. The delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for an exclusive model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bows and finally string.




Fleur en papier


The slicing out of holes etc. to indicate eyes etc is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this Avion En Papier Planeur Facile A Faire kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and obviously here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form we might use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. One of the most unusual form of 'display mechanics' that I actually am acquainted with is by Toyoaki Kawai.